Henri Martin
Venise, palais et gondoliers sur le Grand Canal, c. 1909-10
Oil on canvas
Signed 'Henri Martin' lower right
26 3/4 x 37 3/4 in, 68 x 96 cm
Henri Martin first discovered the beauty of Venice in 1885, after travelling Italy on a scholarship to study the Old Masters with his close friends Ernest Laurent and Edmond Aman-Jean....
Henri Martin first discovered the beauty of Venice in 1885, after travelling Italy on a scholarship to study the Old Masters with his close friends Ernest Laurent and Edmond Aman-Jean. Galvanised by what he saw he returned to the city for a prolonged visit in 1909-10 at which time he painted ‘Venise, palais et gondoliers sur le Grand Canal’. Lingering in his mind, in 1925 he wrote to his son Jacques, now in Venice, “What a surprise is it not to suddenly find oneself in this silence, surrounded by palaces bathed in such picturesque reflections. Get drunk...off this artistic atmosphere, and then you will meditate and create”.
Throughout history Venice has been a source of inspiration for artists, coining the name ‘La Serenissima’ (Most Serene) thanks to its’ magical atmosphere and quality of light. Martin elegantly depicts the Grand Canal bathed in the warm hazy light of early evening. His divisionist technique creates a rich shimmering mosaic of colours across the canvas, the dappled brushwork reflecting the gentle movement of the water lapping against the impressive palaces and the glimmering reflections.
Martin’s Venetian paintings were highly acclaimed during his lifetime. Five years before painting the present work, the prominent French dealer Georges Petit held a display of his Venetian paintings in Paris. The show was lauded as a triumph, with the critic Archille Segard describing Martin’s personal response as “he sees Venice in the same way that he sees his home in Quercy. He sees the skies and southern waters, and still he makes very beautiful paintings of Venetian motifs because these motifs awaken in him the same instinctive lyricism as that of his own land”.
Throughout history Venice has been a source of inspiration for artists, coining the name ‘La Serenissima’ (Most Serene) thanks to its’ magical atmosphere and quality of light. Martin elegantly depicts the Grand Canal bathed in the warm hazy light of early evening. His divisionist technique creates a rich shimmering mosaic of colours across the canvas, the dappled brushwork reflecting the gentle movement of the water lapping against the impressive palaces and the glimmering reflections.
Martin’s Venetian paintings were highly acclaimed during his lifetime. Five years before painting the present work, the prominent French dealer Georges Petit held a display of his Venetian paintings in Paris. The show was lauded as a triumph, with the critic Archille Segard describing Martin’s personal response as “he sees Venice in the same way that he sees his home in Quercy. He sees the skies and southern waters, and still he makes very beautiful paintings of Venetian motifs because these motifs awaken in him the same instinctive lyricism as that of his own land”.
Provenance
Jacques Martin-Ferrières, Paris (son of the artist)
Private Collection, France (acquired from the above)
Christie's, New York, 16 May 2018, lot 356
Private Collection (acquired from the above)
Literature
This work is accompanied by a certificate of authenticity from Marie-Anne Destrebecq-Martin under number 12024 and dated 26 March